Shadows … Do they get darker when they overlap? Not sure. So many things I still don’t know … That’s how life ends … I guess. Let’s find out now. Perfect days. So entdeckten unsere Vorfahren, die wohl oder übel in dunklen Räumen wohnen mussten, irgendwann die dem Schatten innewohnende Schönheit. Lob des Schattens. When’s that exactly? Next time is next time. Now is now. Hirayama. Next time is next time.

Now is now. He spends the day cleaning a number of unusual public toilets. Some days, he might not talk to a single person. The Tokyo Toilet Book. Were it not for shadows, there would be no beauty. (Andere) streben unablässig nach Helligkeit und mühen sich ab, selbst den geringfügigsten Schatten zu verscheuchen.“

Medium. Reinforced polyfiber, steel, glass. Dimensions. Base unit w/ feet: 101 × 94 1/2 × 94 1/2” (256.5 × 240 × 240 cm) fully assembled (approx): 101 x 110 x 110”.

Ein Spezi aus Zitaten von Tanizaki Jun’ichirō aus “Lob des Schattens” and Wim Wender’s film “Perfect Days”. Dazu K67 Kiosk.

Uncover the quiet architecture of who a person is.

Defined by empathy, technical precision, and the belief that the best stories and visuals emerge from being open to the subject and the environment.

A blend of relentless work ethic and creative, optimistic calm.

Quiet frames that feel less like a recording and more like a memory.

Visual anthropology.

--------- CLIENTS ---------

The North Face
Adidas Terrex
Audi
Red Bull
Porsche
Atomic
BRP Rotax
Visa

--------- AWARDS ---------

Sports Emmy for Outstanding Camera Work Long Form
Special Jury Mention at Banff Mountain Film Festival
Film of the Year at iF3 Montreal

for Descendance 🌹

 

Sports Emmy for Outstanding Camera Work Long Form

for The Ultimate Run 🌹